Przeglądaj wg Słowo kluczowe "promieniowanie"
Teraz wyświetlane 1 - 3 z 3
Wyników na stronę
Opcje sortowania
Pozycja Państwo i Społeczeństwo nr 1, 2017 : Architektura eksperymentalna(Oficyna Wydawnicza AFM, 2017) Kozień-Woźniak, Magdalena; Haduch, Bartosz; Twardowski, Mariusz; Banasik-Petri, Katarzyna; Stec, Barbara; Ingarden, Krzysztof; Wróbel, Piotr; Urbańska, Marta A.; Kubiak, Hieronim; Banasik-Petri, Katarzyna; Majchrowski, Jacek M.Pozycja Piękno jako oblicze świętości w kaplicy brata Klausa Petera Zumthora(Politechnika Białostocka, 2017) Stec, BarbaraThe focus of this research study is the interdependence between beauty and holiness in Peter Zumthor’s Bruder Klaus Field Chapel. Pursuant to Zumthor’s intuition and experience, it has been assumed that beauty can be considered the radiation of a ‘thing’, something a human being experiences as the fullness of their own life becoming one with “the world”. In the case of the chapel, this radiation has been described as a Countenance of Holiness, assuming that holiness, being the attribute of the Divine Person and that it is given to a human person, who, thanks to this, becomes holy, and a countenance is an expression of the face representing the inner life of both the Person and a person. The objective of the study is to demonstrate that the beauty of the Bruder Klaus Field Chapel can be conceived of and represented as a Countenance of Holiness, accessible to human experience in contemplation through sensory perception. The research method consisted in identifying and describing six stages in the history of the chapel: the design and construction processes as well as the mode of its existence as a shape in the landscape and as an architectural interior. As the criterion for such identification, it has been adopted the connection between the history of the chapel and the lives of its founders, namesake, and architect, as well as the life of the ‘physical body of architecture’, understood, according to Zumthor’s explanation, as a ‘shape moulded into a form that serves life’. Then, the research method consisted in the juxtaposition of identified stages with the content of the 15th century Diagram of the Holy Trinity and the World, the aid used by Brother Klaus in contemplating the Triune God and the created world, featured in the chapel in the form of a bronze wheel with six rays attached to a wall. That juxtaposition provided the basis for drawing a diagram of beauty as a Cuntenance of Holiness, which is proposed as the result of the research. The diagram demonstrate the interdependence between beauty and holiness as a pulsating relation occasioned by the continual transformation of each into the other, describable in terms of the phenomenon of radiation and comparable to the breathing process, a condition of life. The proposed diagram represents this relation in an illustrative way, showing beauty as a countenance (perceptible to human senses) of holiness (inaccessible to sensory perception), capturing the mutual interchangeability and alternateness of holiness and its countenance, and the mode of the manifestation of holiness in its Countenance, determined here as beauty. The study has demonstrated that the beauty of Peter Zumthor’s Bruder Klaus Field Chapel can be conceived of and represented as a Countenance of Holiness.Pozycja Wykorzystanie fizycznych praw środowiska w eksperymentach architektonicznych Philippe’a Rahma(Oficyna Wydawnicza AFM, 2017) Stec, BarbaraPrzedmiotem artykułu jest wykorzystanie fizycznych praw środowiska w architekturze meteorologicznej Philippe’a Rahma, na którą składają się instalacje artystyczne, projekty i realizacje architektoniczne. W oparciu o metodę badania, polegającą na bezpośrednim doświadczeniu dzieł Rahma, analizie jego tekstów i projektów, zaprezentowano przykłady wykorzystania znajomości fizycznych praw, zachodzących w atmosferze i procesów fizjologicznych człowieka w wybranych projektach Rahma. Skupiono uwagę przede wszystkim na projektach wykorzystujących zjawiska promieniowania, wilgotności i konwekcji. Celem badania jest wykazanie, że istnieje współczesna architektura eksperymentalna wykorzystująca fizyczne prawa zachodzące w atmosferze, a przez to podnosząca swe walory praktyczne i ekonomiczne.