Inicjacja i śmierć. Obsesje Nicolasa Roega

dc.contributor.authorTaszycka, Anna
dc.date.accessioned2020-12-16T11:19:53Z
dc.date.available2020-12-16T11:19:53Z
dc.date.issued2006
dc.description.abstractThe aurhoress introduces us to the filmmaking of the British director, its typical storylines and themes, concentrating on an analysis of two films: 'Walkabout' and 'Don't Look Now'. By selecting the films whose focus is on the critical situations, like initiation and death, she examines the cinematic world of Roeg and its ambivalence that is present at various levels. Ambivalence is the most adequate word to describe his works. Drawing on the opinions of other film critics and on her own inquiry, she says that strategic disorientation (the term used by Andrzej Zalewski within the context of post-modernist cinema) is Roeg's directing method, which puts him in the ranks of directors whose work preceded postmodernist cinema.pl
dc.identifier.citationKwartalnik filmowy 2006, nr 53, s. 114-126.pl
dc.identifier.issn0452-9502pl
dc.identifier.urihttp://hdl.handle.net/11315/29162
dc.language.isoplpl
dc.publisherInstytut Sztuki Pan; Stowarzyszenie LIBER PRO ARTEpl
dc.rightsUznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/pl/*
dc.subjectinitiation and deathpl
dc.subjectRoeg's Nicolas obsessionspl
dc.subject.otherFilmoznawstwopl
dc.titleInicjacja i śmierć. Obsesje Nicolasa Roegapl
dc.typeArtykuł
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